Everybody Pays Read online

  CONTENTS

  Title Page

  Dedication

  Acclaim for Andrew Vachss

  Proving It

  Reaching Back

  Last Date

  Tag

  Dress-Up Day

  Homeless

  Mission

  Going Home

  The Real Thing

  Slow Motion

  True Colors

  FROM THE UNDERGROUND SERIES:

  Curtains

  The Writing on the Wall

  Safe Sex

  Charmed Life

  Gamblers

  Just the Ticket

  Summer Girl

  Big Sister

  Time Share

  Goin’ Down Slow

  Word Play

  Stepping Stone

  Fireman

  Dope Fiend

  Escort Service

  Stuntman

  Piecework

  The Real World

  Perp Walk

  Good for the Soul

  Hit Man

  Searcher

  FROM THE CROSS SERIES:

  The Concrete Puppy

  Harvest Time

  Pigeon Drop

  Two-Way Radio

  NOVELLA:

  Everybody Pays

  About this Title

  About the Author

  Also By Andrew Vachss

  Copyright Page

  The dedicated Web site for Vachss and his work is www.vachss.com

  Acclaim for ANDREW VACHSS

  “Influenced by lean, socially observant crime writers—Dashiell Hammett, Jim Thompson, Charles Willeford, Iceberg Slim—Vachss’ prose is still starker, with rap’s hard flow. His New York, a flame-etched, pitch-black wasteland, is a truly hellish vision.”

  —Uncut

  “Andrew Vachss, a lawyer who specializes in the problems of child abuse, writes a hypnotically violent prose made up of equal parts of broken concrete block and razor wire.”

  —Chicago Sun

  “Andrew Vachss is unique among modern writers; no one else comes close to the raw power and intellectual ambiguity that he manifests so elegantly, so coldly.”

  —The Clarion-Ledger

  “Next to Vachss, Chandler, Cain and Hammett look like choir-boys.”

  —The Cleveland Plain Dealer

  “There’s no way to put a [Vachss book] down once you’ve begun. . . . The plot hooks are engaging and the one-liners pierce like bullets.”

  —Detroit Free Press

  “Ah, Andrew Vachss. The man makes other noir writers seem like William Saroyan.”

  —Fort Worth Star-Telegram

  “Breathtaking, nightmarish and seductive. Vachss’s writing is like a dark rollercoaster ride of love and hate.”

  —The Times-Picayune

  “Vachss seems bottomlessly knowledgeable about the depth and variety of human twistedness.”

  —The New York Times

  “[Vachss] does to pimps, pederasts, snuff film makers and porn industry purveyors what you know he’d like to do in real life, but seldom can. In other words, he decimates them.”

  —The Detroit News

  “Andrew Vachss bursts forth with more of the slashing prose that has earned him a reputation as one who gives no quarter in his exposure of the evils of the human mind. The man knows whereof he speaks.”

  —Newsday

  “Many writers try to cover the same ground as Vachss. A handful are good. None are better. For anyone interested in this kind of fiction, Andrew Vachss, sculpting pieces of art out of the scummiest wastes of humanity, must be read.”

  —People

  “Vachss enlightens the world . . . [with] chilling stories taken from the real world and made into fiction.”

  —Publishers Weekly

  “[Takes us] not simply into the mean streets but into a subterranean nightmare . . . a place as compelling and challenging as any to be found in the best crime fiction today.”

  —The Washington Post Book World

  “The best detective fiction being written . . . add a stinging social commentary . . . a Célinesque journey into darkness, and we have an Andrew Vachss, one of our most important writers.”

  —Martha Grimes

  “Tough, terse, vivid, Vachss keeps pouring on until, from equal measure bruising and pleasure, the reader screams ‘No more, baby, no more.’ If it were any more real you’d get twenty-five to life just for cracking the cover.”

  —John Ridley

  PROVING IT

  1

  Every place I’ve ever been, there’s pigeons.

  Even here. Prison.

  Rats with wings, convicts call them.

  That’s not ranking them, not really. You can’t disrespect rats. Nobody likes them, but they always keep coming.

  Like me.

  Even here.

  2

  They let me out on a Wednesday. They gave me back my watch, the clothes I was wearing when I first went down, the cash I had on the books. Seventy-seven dollars and some change. I was the only white guy in the go-home line. It wasn’t like that when I’d first come in.

  The bus took us into town, this little stupid dead town that only has a depot and a couple of bars. If it wasn’t for the prison, the people who live around here would starve to death—it’s the only job there is.

  Nobody got met at the depot. We didn’t say anything to each other. I didn’t know them; they didn’t know me. We all got on the first bus down to the city. Same way we came up—only this time there wasn’t any steel mesh over the windows, and we weren’t chained to the seats.

  The other guys made a lot of noise. It sounded like they were talking to each other. Going on about all the women they were going to mount, the fine clothes they’d be wearing, all the action, the big scores. Except they were really talking to themselves. Same as it was in the joint.

  And a couple of them, they were already nodding out. Prison’s just like the street. Only difference is, Inside, drugs cost more.

  I looked out the window.

  Port Authority was the same as the prison yard—wolves waiting on every new bunch, waiting to see if there were any sheep.

  I walked through the terminal, following the rules: Look down or look hard. Maybe I didn’t have friends there, but nobody wanted to try me either. Up where I was, you learned to settle for that.

  I walked all the way back to the neighborhood. The candy store was still on the corner, but there was a new sign in the window. Lotto.

  The old man’s back was to me, arranging something on the shelf behind the counter. I picked up three Milky Way bars, waited for him to turn around.

  “How much are these now?” I asked him.

  The old man’s eyes were sharp behind his glasses. “For you, they’re still a quarter,” he said.

  “Thanks,” I told him. Handed him the money. Asked: “Where would I find Mingo?”

  “Same place,” he said.

  I walked the three blocks. The street made springtime sounds, but the only birds I could see were pigeons, picking scraps off the concrete. Maybe they sound different outside the Walls. I never listened to them before I went up.

  Mid-afternoon, kids running down the block, sprung from school.

  The basement door was the same shade of rust. I pushed and it opened. He was at a card table in the corner, wearing a Panama hat and dark glasses even in the gloom.

  “Hey, amigo! When did you raise?” he greeted me.

  “This morning,” I told him.

  “I got your stuff.”

  “I appreciate you holding it for me.”

  “Hey, no problem, man. Nothing’s changed.”

  It was all in a duffel bag, the same one I’d told him to get and hold for me when h
e’d visited me in jail.

  Mingo was the last visitor I’d had.

  I got a room in the neighborhood. Fresh linen twice a week, toilet down the hall.

  I went to the Greek’s that night. The guy who owns the place is big, with a shaved head. People called him the Greek because of Kojak, when it first came out. It’s a regular restaurant, though.

  I took a table in the corner, looked over the menu. It was strange to see a menu. Choices.

  The waitress had long, dark hair, big eyes. I told her I wanted the beef stew. She didn’t write it down on her pad, just stood there, hands on her hips, looking at me.

  “What?” I asked her, trying to keep my voice gentle. When someone stares at you like that Inside, you have to challenge them, but I didn’t want her to think I was doing that.

  “You don’t know me?”

  I looked at her again. Right in her face. Everything was different except the eyes, but soon as I saw them, I knew.

  “Alicia?”

  “Yeah. All grown up now, huh?”

  “I . . . guess.”

  “You don’t see any difference?” she said, smiling.

  “Uh . . . sure.” I didn’t want to look at the difference pushing out the front of her plain white blouse. The last time I’d seen her, she was thirteen years old.

  “How come you never answered my letters?” she asked me.

  “I . . . couldn’t.”

  “How come? They wouldn’t let you write from there?”

  “They did. I mean . . . you could. But . . . I didn’t know what to say.”

  “Because I was a baby?”

  “I was going to be there a long time. I didn’t want to . . .”

  “What?”

  “I don’t know . . . connect. I needed to just work on being there. Getting through it. I knew you’d stop, sooner or later.”

  “You know a lot, huh?”

  “Why are you mad at me?” I asked her. “I didn’t do anything to you.”

  “To me? No, nothing. In fact, that was me to you, yes? Nothing. So why did you do it, then?”

  Somebody shouted something at Alicia from one of the other tables. She ignored them. I heard a bell go off, the cook yelled “Pick up!” Alicia just stood there, watching me. Waiting for the answer.

  I didn’t know the answer.

  I don’t know why she’d done what she did.

  I don’t know why I went with it.

  What happened was, a man had come into the after-hours joint where I got my jobs. I’m a thief. He walked right up to me, where I was sitting in a booth near the door. Everyone went quiet.

  “You a grown man,” he said to me. “You mess around with my little girl, I take your life, understand?”

  I was a grown man. Twenty-two. But I didn’t know who he was talking about. So I didn’t say anything. We looked at each other for a minute, then he turned around and left.

  “Who was that?” I asked Mingo.

  He told me. But the name didn’t mean anything to me. I didn’t even have a girlfriend, so it didn’t make sense. But I didn’t deny anything when the man had said all that stuff—it would have looked weak.

  A few days later, I was back in the same place. That’s when Mingo told me he’d asked around. And the man who’d come in and sounded on me, he had a stepdaughter: Alicia. And this Alicia, she was a little girl, and she’d been going around telling everyone I was her boyfriend. That must have been what started it.

  I went and found her. I knew where she’d be. All the kids went to the same places I went to when I was a kid. Because the block was the same as it was then. But I didn’t have to ask around. When I walked in the candy store, this little girl with dark hair and big eyes came right over to me. She took my arm and pulled me outside. I let her do it.

  There’s an alley next to the candy store. It’s empty there in the afternoons. At night, it sometimes isn’t.

  “Why’d you tell him that?” I asked her. “That I was your boyfriend?”

  “So he’d leave me alone.”

  “I don’t get it.”

  “He . . . bothers me. I told my mother on him, but she slapped me for even saying it. I’m not allowed to go on dates. He . . . controls everything. I wanted him to stop. So I told him you were my boyfriend.”

  “Why me? I’m too old—”

  “I knew he would—I’m sorry—I knew he would try and get you to . . . leave me alone. But I saw you. I asked about you. You were . . . in jail, right?”

  “Yeah. So?”

  “So I figured you wouldn’t be afraid of him. Maybe he would be afraid of you, even. He’s never been in jail.”

  “I can’t be your boyfriend,” I told her. “You’re just a kid.”

  “My pretend boyfriend,” she reminded me, looking up from under long eyelashes.

  “Not your pretend boyfriend, either.”

  Her face got all twisted up then, like she was going to cry. But she didn’t. Just said, “I’m sorry,” and walked away.

  I started to go after her, but when I came out of the alley, her stepfather was there. He was angry, making a lot of noise. She was next to the door of the candy store, in front of a little crowd. He slapped her so hard she went to the ground.

  “I warned you,” he said to me, one hand slipping into his jacket pocket.

  I could have told him then.

  But what happened was, I killed him.

  The Legal Aid told me, if I hadn’t had a record, I could probably beat the charge. He had a knife—I had a knife. We fought, and he died.

  But I did have a record. And for something with a knife. It happened in a gang fight. Mostly it was chains and pipes, so many people screaming and swinging it was hard to tell what was happening. A couple of zips popped off, but nobody got panicked—you have to be real close to hurt someone with one of those things. In the middle of the rumble, me and Sonny Trion got split off from the rest. He was the other club’s Warlord. I knew him from around, but he lived a few blocks away. Another country.

  Everyone, like, stopped—they watched us dueling. My blood was so high I was seeing him through a red cloud. Sonny cut me, but I got in under his ribs and he died. I was fifteen, so they couldn’t send me Upstate, but they put me Inside.

  Everybody had knives in there. They called them shanks, and they made them out of anything—spoons, files, even toilet-brush handles—but they worked the same.

  By the time I got out, I was grown. And I knew how to steal. I was too old for gangs. I mean, the gang was still there, but they didn’t even expect me to come back to them.

  I never used a knife again until that day. But I always carried one.

  The Legal Aid told me I could take a plea. To manslaughter. It would be five years. If I went to trial, if they came back with murder, it would be life.

  I took the five years. I was a graduate of the gladiator school they called a reformatory, so I knew what it would be like Inside. More knives.

  What I didn’t know was that the five years the Legal Aid told me about—well, it was five years until I saw the Parole Board, not five years until I got out.

  You maybe can scam the Board, fake like you got religion or something. I don’t know that for a fact, but some guys said you could. What I did know was that you couldn’t scam the other cons. You couldn’t just pretend to be hard in there. You had to prove it. They made you prove it.

  So the Board kept giving me hits, keeping me in. I had a pretty good record the last few years before I first saw them, but I’d had to use a shank a couple of times when I’d first come in. I wasn’t mad at anyone. It was just so they’d leave me alone. Just like that first time.

  Inside is the same as on the street—you have to keep proving it.

  The way it works, you do enough of your sentence, they have to let you go. I had a little more than eight years in when it happened to me; when they let me go.

  When I first went in, there was nothing. I didn’t expect anything. Mingo was my partner, and I kne
w he’d take care of my stuff, but that was all.

  The letter from Alicia came a few months later. It took her a long time to find me where I was. She wrote the letter like I was her boyfriend.

  She was just a baby, thirteen. And I was twenty-two, a man. But that wasn’t why I didn’t answer her. I remembered the last time I’d been Inside. If you had a girl to write to you, to visit you, it made you feel better. But when she stopped—and they all stopped, sooner or later—then you felt worse.

  Some guys went crazy behind that. Hung up in their cells. Or jumped the railing off a high tier. For the rest, they just got sad. Deep sad.

  I just wanted to get through my bit. I didn’t want to get crazy, or be that sad.

  I didn’t know how to tell her all that now, looking right in her face. But I did the best I could.

  “He didn’t give me any choice,” I said.

  “Sure, he did,” she told me, leaning over the table so her face was close to mine. She smelled like the syrup in the cans peaches come in. “He was just huffing. You could have told him I was making it all up. You didn’t even know me. And that would have been it. For you, anyway. Me, he would’ve just hit me some more and . . . you knew that.”

  “I . . .”

  “You knew that,” she said again.

  The Greek came from behind the counter and walked over to the table. He pulled at her arm. “What the hell do you think you’re—?”

  He stopped when he saw me. “Oh, you’re back. Jesus, Alicia, I’m sorry. I know how long you been waiting.”

  “Now I’m done waiting,” she said quietly.

  The Greek was looking at me. “I got no beef with you,” he said. “I’m just trying to run a business.”

  Alicia took off her apron, handed it to the Greek. “You owe me for three days,” she said.

  “You gonna walk out right now? In the middle of—?”

  “He’s home now,” Alicia told him.

  The Greek went over to the register. Tapped the keys to open it. Handed Alicia some bills. “If you want a few days off, you can always—”

  “Come on,” she said to me.

  The building was only four blocks away. “I never moved,” she said to me. “I wanted to be sure you could find me.”